D / “日本影片和韩国影片推荐”手持摄影所营造的体验感与亲密性相龃龉的是文本上人物刻画的笨拙太多的生活片段还未成为足够真实的事件就匆忙地去完成“描绘”性格的指标因而结尾的回归也未显示出任何升华或抽离更多是同等的机械感偶尔闪现灵动精准的细节(比如结尾的沙发)拉回一些好感BTW蔡康永式台词过于瞩目引起不适……
雾夜花火:171.11.156.115
I’ve watched loads of inspirational movies. But this one touches me again. It is vital to keep in mind that it is never too late to change, and that one daring not to dream is the poorest.